dc.contributor.advisor | Dunbar, Burton L. (Burton Lewis) | |
dc.contributor.author | Dohogne, Meghan | |
dc.date.issued | 2016 | |
dc.date.submitted | 2016 Fall | |
dc.description | Title from PDF of title page, viewed May 26, 2017 | |
dc.description | Thesis advisor: Burton Dunbar | |
dc.description | Vita | |
dc.description | Includes bibliographical references (pages 78-80) | |
dc.description | Thesis (M.A.)--Department of Art and Art History. University of Missouri--Kansas City, 2016 | |
dc.description.abstract | Rose Piper (1917- 2005) was an African-American artist, based primarily in New
York, who garnered attention with her success in oil painting. She utilized her talent to
transcend medium in a multidisciplinary career. Although Piper is not a widely known
artist, her ability and skill make her deserving of a place in the art historical narrative. I
have organized her career into three distinct time phases: 1) early career (1940s-1950s), 2)
middle career (1950s-1970s) and 3) late career (1970s-1990s). Piper’s early career
consisted mostly of oil paintings completed under the award of two Rosenwald Fellowships
for which she was encouraged to apply while studying at the Arts Students League. The
Blues and Negro Folk Song series exposed Piper’s work to a larger audience, earning
critically acclaimed reviews. In 1948, Piper traveled to Paris to continue her studies at
École des Beaux-Arts. After she returned to the United States, financial constraints
prompted her to begin her commercial career. Piper’s middle career spanned the majority of
her working lifr. During the early 1950s she began Ransier Studio Cards, a greeting card
company at which she was involved in the entire production process. After the business
folded, Piper began a twenty-eight year term in the textile industry where she rose through
the ranks of the garment industry. Piper’s textile career included over ten design firms,
some of the firms included: JJ Knitted Fabrics, Fred Levy Studio, and many others. In
1979, Piper retired from the textile industry and returned to creating fine art. In her late
career, she combined her art historical knowledge and eye for detail to create a new body of
work which differed stylistically from her early career combining her knack for oil painting
and textile design. Ultimately, Piper gained recognition for her contributions to art in the
twentieth century. She was honored with a series of retrospectives that continued until
2003, just two years before the artist’s death. Although Piper’s artwork is now shown
around the globe, there is still very little known about her entire career as an artist. | eng |
dc.description.tableofcontents | Introduction -- Early career 1940s-1950s -- Middle career 1950s-1970s -- Late career 1970s-1990s -- Relevance | |
dc.format.extent | ix, 81 pages | |
dc.identifier.uri | https://hdl.handle.net/10355/60504 | |
dc.publisher | University of Missouri--Kansas City | eng |
dc.subject.lcsh | African American artists | |
dc.subject.lcsh | Women artists | |
dc.subject.lcsh | Piper, Rose, 1917-2005 | |
dc.subject.other | Thesis -- University of Missouri--Kansas City -- Art and art history | |
dc.title | Rose Piper: New Discoveries | eng |
dc.type | Thesis | eng |
thesis.degree.discipline | Art and Art History (UMKC) | |
thesis.degree.grantor | University of Missouri--Kansas City | |
thesis.degree.level | Masters | |
thesis.degree.name | M.A. | |