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The structural quality of tone-color in Paradise lost
(University of Missouri--Columbia, 1915)
This paper attempts to show to what extent the various manifestations of tone-color in Paradise Lost have compensated for the absence of rhyme. A chapter is devoted to the assimilative office of tone-color in the poem, ...
Concretes and abstracts in the Old English epic Beowulf
(University of Missouri--Columbia, 1916)
That poem may surely be said to be abstract in character in which the motive is more real than the deed, in which the thoughts of a man's heart are given more dramatic prominence than the facts of his appearance, in which ...
The dramatic structure of Shakespeare's plays
(University of Missouri--Columbia, 1904)
A drama is a presentation of an action. Action is the connection and interweaving of details, by a controlling idea, into a work of art, possessing unity; it is the train of incident, conceived as a whole. Events in ...
Some English words of interest, derived from the French, based on Aiol and La Chanson de Roland
(University of Missouri--Columbia, 1904)
The greater number of English words derived from French probably came into the language either in the period of intercourse between the two countries preceding the Norman conquest, or subsequent to the conquest and as a ...
Wordsworth's theory of diction
(University of Missouri--Columbia, 1902)
With the questions, "What is Wordsworth's theory of diction?", "Did Wordsworth put his theory into practice?", and, indirectly, though necessarily, "Is Wordsworth's theory a correct one?" this paper purposes to deal. In ...
Ben Jonson's relation to Donne
(University of Missouri--Columbia, 1906)
Edmund Gosse in his Life and Letters of John Donne has speculated at some length about the personal relationship between Jonson and Donne. Upon the evidence before him, however, Gosse hesitates to assume that this relationship ...
A study of tragic situation and character in English drama, 1900- 1912
(University of Missouri--Columbia, 1914)
It is the purpose of this study to examine the subject-matter of those English dramas of 1900-1912 which portray serious action and produce tragic effect. In this study all purely aesthetic questions are ignored. The ...
The Celtic legends and their use in the modern Celtic plays and poetry
(University of Missouri--Columbia, 1914)
The recovery and opening of the Irish legends is undoubtedly the most important phase of the Irish literary movement. The legends contain the very essence of the Irish genius. These stories of "old, unhappy, far-off things" ...
Idylls of the king : a masterpiece
(University of Missouri--Columbia, 1900)
Some say that the poetry of the future will disregard all its old laws of melody and measure and care nothing for beauty of form; others say that it will care for nothing else, that it will lose all its moral meaning and ...
The English sonnet from Wyatt to Milton
(University of Missouri--Columbia, 1904)
In 1557 there was published in London a little volume hardly known to students of English Literature by the name it then bore, but familiarly known from the name of the publisher as Tottel's Miscellany. This book was a new ...
English social drama of 1600 and 1900
(University of Missouri--Columbia, 1915)
Social drama is that type of drama which has for its theme a problem touching the interests of society at large, or a great part of that society. It deals with social conditions and with problems involving the social ...
English bourgeois tragedy from 1576 to 1642
(University of Missouri--Columbia, 1915)
What is English bourgeois tragedy? What forces produced it, and what is its significance in the first great period of English drama? It is the purpose of this dissertation to answer these questions by a detailed study of ...
A comparative study of the verse rhetoric of Layamon's Brut and Beowulf
(University of Missouri--Columbia, 1915)
This thesis compares Layamon's Brut with Beowulf to examine poetic inheritance and style. Previous studies emphasizing similarities of language and meter, without definite tests of verse rhetoric, may lead to the false ...
John Horne Burns : Toward a Critical Biography
(University of Missouri--Columbia, 1985)
The dissertation traces John Horne Burns's life and career as a novelist and English teacher, from his origins in Andover through his literary success with The Gallery (1947), Lucifer with a Book (1949), and A Cry of ...
The dramas and prose works of John Rastell
(University of Missouri--Columbia, 1976)
A study of the literary career of John Rastell (1475- 1536), Thomas More's brother-in-law, this dissertation re-evaluates and adds insights to previous scholarly work. Its purposes are to collect and evaluate published and ...
"To move wild laughter in the throat of death" : an anatomy of Black Humor
(University of Missouri--Columbia, 1975)
This dissertation presents an extended definition of a literary genre that has been labelled "Black Humor" by many contemporary critics. Though the phrase has been used with increasing frequency in the last ten years, it ...
The character of Gawain in English literature
(University of Missouri--Columbia, 1961)
There are thus three basic areas of investigation: Celtic tales and traditions, culminating in the work of Geoffrey of Monmouth; medieval metrical and prose romances, both French and English; and English prose and poetry ...
Comic pattern in the novels of Smollett
(University of Missouri--Columbia, 1973)
This dissertation focuses upon the disparity between the bodies of Smollett's novels and their endings. The former is set in a society which historians identify as the "real world" of eighteenth-century London, a world ...
The nature of nothingness in King Lear
(University of Missouri--Columbia, 1974)
"The approach toward life in the sixteenth century was paradoxical. Writers and thinkers struggled with the questions and problems of life; they tried to determine if life had any value, and if it consisted of something. ...
The pleasure-pain motif in the poetry of John Keats
(University of Missouri--Columbia, 1972)
This study is intended to show that one of the commonly noted motifs in the poetry of Keats is also a feature of considerable importance. The swift interchange of pleasure and pain or the ability of the poet to be happy ...