Shared more. Cited more. Safe forever.
    • advanced search
    • submit works
    • about
    • help
    • contact us
    • login
    View Item 
    •   MOspace Home
    • University of Missouri-Columbia
    • Graduate School - MU Theses and Dissertations (MU)
    • Theses and Dissertations (MU)
    • Theses (MU)
    • 1900-1909 Theses (MU)
    • 1900-1909 Theses (MU)
    • View Item
    •   MOspace Home
    • University of Missouri-Columbia
    • Graduate School - MU Theses and Dissertations (MU)
    • Theses and Dissertations (MU)
    • Theses (MU)
    • 1900-1909 Theses (MU)
    • 1900-1909 Theses (MU)
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.
    advanced searchsubmit worksabouthelpcontact us

    Browse

    All of MOspaceCommunities & CollectionsDate IssuedAuthor/ContributorTitleIdentifierThesis DepartmentThesis AdvisorThesis SemesterThis CollectionDate IssuedAuthor/ContributorTitleIdentifierThesis DepartmentThesis AdvisorThesis Semester

    Statistics

    Most Popular ItemsStatistics by CountryMost Popular AuthorsStatistics by Referrer

    The dramatic structure of Shakespeare's plays

    Hamilton, Goldy Mitchell
    View/Open
    [PDF] DramaticStructureShakespeares.pdf (48.11Mb)
    Date
    1904
    Format
    Thesis
    Metadata
    [+] Show full item record
    Abstract
    A drama is a presentation of an action. Action is the connection and interweaving of details, by a controlling idea, into a work of art, possessing unity; it is the train of incident, conceived as a whole. Events in themselves are not dramatic, but must be remodeled into the relations or cause and effect by an underlying dramatic idea; then it is that the drama becomes a work of art. The plot is the form which the action takes, the abstract design or pattern which is applied to the material, life. It may be simple, complex or compound. The ancient drama consisted of a single plot; the Shakespearian drama is a complex, much more elaborate, having a main action and subordinate actions; its unity is subtler, as it is a harmony of actions, each of which blends with the others; they may be connected by common personages or links, by being constantly interwoven, by being related to the same enveloping action, by being mutually dependent, or by furnishing parallels and contrasts to each other.
    URI
    https://hdl.handle.net/10355/15338
    https://doi.org/10.32469/10355/15338
    Degree
    M.A.
    Thesis Department
    English (MU)
    Rights
    OpenAccess.
    This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
    Collections
    • 1900-1909 Theses (MU)
    • English electronic theses and dissertations (MU)

    Send Feedback
    hosted by University of Missouri Library Systems
     

     


    Send Feedback
    hosted by University of Missouri Library Systems