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Now showing items 41-60 of 69
Composing aromanticism
(University of Missouri--Columbia, 2021)
The term "aromantic" describes those who experience little to no romantic attraction to other people, marking a queer identity hardly referenced in either scholarship or popular conversation. Aromanticism's obscurity doesn't ...
Of the burning
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] "Of the Burning" is a hybrid collection of nonfiction essays and sermon-poems. The narrative threads weaved through the collection include original ...
On marvellous things seen and heard
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Derived formally from Aristotle's Minor Work of the same title, my variation of "On Marvellous Things [Seen and] Heard" explores a range of literary ...
Breathing in the other : enthusiasm and the sublime in eighteenth-century Britain
(University of Missouri--Columbia, 2008)
. It also recasts enthusiasm as more than mere madness or a matter of emotion and takes the problem of inspiration seriously. The method applied here is largely psychoanalytic. Jacques Lacan's concepts of the subject and the Other inform this dissertation...
From the body to language: life and mind in literature and film from the Modernist Era to the present
(University of Missouri--Columbia, 2022)
My dissertation focuses on the ways in which twentieth-century literature intersects with theories of living systems and biosemiotics, the biological capacity for meaning making. My critical readings highlight the process ...
As many roast bones as you need
(University of Missouri--Columbia, 2020)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI--COLUMBIA AT REQUEST OF AUTHOR.] As Many Roast Bones As You Need is a creative dissertation that combines the examination of grief and our connection to animals found in ...
Thinking locally : provincialism and cosmopolitanism in American literature since the Great Depression
(University of Missouri--Columbia, 2007)
Thinking Locally produces an account of twentieth-century literary history that counters the literary-historical over-reliance on wars as framing events. Eschewing the standard break between pre-World War II and post-World ...
Black skin matters : the significance of color in early modern England
(University of Missouri--Columbia, 2021)
This book explores the impact of stereotypical concepts associated with black skin color in representations of black people during the English Renaissance, namely Shakespeare's Othello (Othello), Aaron (Titus Andronicus), ...
This is not Dickens: fidelity, nostalgia, and adaption
(University of Missouri--Columbia, 2006)
In this project, I examine the responses of filmgoers to three adaptations of Victorian novels: Joe Wright's Pride & Prejudice (2005), Roman Polanski's Oliver Twist (2005), and Alfonso Cuarón's Great Expectations (1998). ...
We go back: antimodernism in the early Catholic Worker Movement
(University of Missouri--Columbia, 2007)
The Catholic Worker Movement, founded by Dorothy Day and Peter Maurin in 1933, is generally thought of as peace and social justice movement. While this has been the case since the founding of movement in 1933, the early ...
Roots of oral tradition in the Arabian Nights: an application of oral performance theory to the "Story of the King of China's Hunchback"
(University of Missouri--Columbia, 2007)
The aim of this thesis is to argue for the Arabian Nights as a work of verbal art whose roots are in the oral tradition of the Arab world. After a short premise meant to throw light on the status of oral storytelling in ...
The freedoms of B. Kumasi
(University of Missouri--Columbia, 2021)
schools post-Katrina. The authors propose an approach to writing race research that engenders "composite counter-storytelling," looking specifically at how counterstories composed of varying parts and elements communicate racialized constructions...
Social networks of friendship in the writings of early medieval english women
(University of Missouri--Columbia, 2021)
Communities of women is a topic in Early Medieval English Studies that has largely been overlooked unless it's researched and discussed in the context of men, marriage, and religion. One obstacle that has prevented scholarship ...
Refrain
(University of Missouri--Columbia, 2021)
Refrain is set in 1950s Larissa, TX, where the disappearance of four local girls catapults the town into crisis, forcing them to confront their complicity and disregard for Native American life. Told from multiple points ...
Beginning's ends : new senses of ending and the eighteenth-century novel
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation argues that an examination of innovative endings in both canonized and forgotten eighteenth-century prose fiction contributes to our ...
Death becomes her : modernism, femininity, and the erotics of death
(University of Missouri--Columbia, 2007)
the technologies of power that link transgressive desire and passive femininity. By arguing that desire was indispensable to the construction of a modernist iconography of desire, identity, and embodiment, this project attempts to unravel how the modernist...
Sharp things, or the silver lines are not scars
(University of Missouri--Columbia, 2019)
's financial stability until he's fired for speaking his mind too many times to administration. Tianne fears for his health insurance coverage, while Jeremiah debates careers as a high school guidance counselor or touring comedy clubs. Throughout the book...
The pagan's progress, or, the invention of pilgrimage
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This book examines religious travel in contemporary Paganism in three long-form creative essays. It looks at space, place, and travel within the modern ...
The first inch of a saguaro
(University of Missouri--Columbia, 2021)
at home. Middle child Alejandra is angry--angry at her friends, her father, and the world. Unable to cope with this world in which her father is in prison, she runs away with another boy from high school who feels he has no reason to stay after his mother...
The medieval English begging poem
(University of Missouri--Columbia, 2008)
Since the only consistent feature of medieval English begging poems is the fact that they beg, usually for funds due, the form cannot quite be considered a genre. However, the relationships between poets and patrons that ...