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dc.contributor.advisorCarver, M. Heathereng
dc.contributor.authorStankiewicz, Teresaeng
dc.contributor.otherUniversity of Missouri-Columbia. Graduate School. Theses and Dissertations. Dissertations. 2013 Dissertationseng
dc.date.issued2013eng
dc.date.submitted2013 Springeng
dc.description.abstract[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Education scholars Mark E. Engberg and Sylvia Hurtado state in their article "Developing Pluralistic Skills and Dispositions in College: Examining Racial/Ethnic Group Differences" that as the United States is becoming more diverse, the world is moving to a global economy and this trend creates a workplace demand for workers with pluralistic skills which in turn mandates that higher education address this need. Providing numerous opportunities for cultural exchange in several different contexts is significant in creating individuals who support a pluralistic society as well as thrive in one. Devising theatre is one such opportunity that allows students to explore their identity and the issues that arise from discussing global culture. Devising also gives students an opportunity to discover and experience some of these differences in our global society. In our information rich, digital age it is imperative that we discover how to teach live performance to students saturated by visual, auditory, and moving media. My dissertation explores how to create a pedagogy using devised theatre that not only recognizes the influence of the digital world on our students, but incorporates an interdisciplinary and multicultural approach that includes the use of technology to teach creativity and performance. This pedagogy will address how devised theatre provides a multicultural basis for ensuring inclusivity and how our digital experience can help break the barriers of isolation. Included in this dissertation is a brief history of devising that includes the influence of modern dance and musical theatre, something that devising history scholars have not yet given serious consideration. I investigate the impact that the now common televisual cyber culture has on our students and describe the use of technology in current performance practices. I conclude with describing how to create devising coursework that prepares individuals who can successfully maneuver in a global society with an aptitude for innovation and a continually developing social conscience.eng
dc.format.extentvii, 263 pageseng
dc.identifier.oclc872588760eng
dc.identifier.urihttps://doi.org/10.32469/10355/37869eng
dc.identifier.urihttps://hdl.handle.net/10355/37869
dc.languageEnglisheng
dc.publisherUniversity of Missouri--Columbiaeng
dc.relation.ispartofcommunityUniversity of Missouri--Columbia. Graduate School. Theses and Dissertationseng
dc.rightsAccess is limited to the campus of the University of Missouri--Columbia.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.sourceSubmitted by the University of Missouri--Columbia Graduate School.eng
dc.subjectpedagogieseng
dc.subjecttheatre educationeng
dc.subjectmulticulturalismeng
dc.subjectdigital ageeng
dc.titlePerformance, playwriting and pedagogy : teaching devised theatre in the digital ageeng
dc.typeThesiseng
thesis.degree.disciplineTheatre (MU)eng
thesis.degree.grantorUniversity of Missouri--Columbiaeng
thesis.degree.levelDoctoraleng
thesis.degree.namePh. D.eng


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