On the use and abuse of "Orality" for art : Reflections on Romantic and late twentieth-century poiesis

dc.contributor.author	McLane, Maureen N.	eng
dc.date.issued	2002-03	eng
dc.description	It is not an overstatement to say that, in the last decades of the eighteenth and the first decades of the nineteenth centuries, almost every major British literary poet found him- or herself engaging with oral tradition, as well as with the figure of the oral poet, his work, his cultural position, and his method of composition. Oral tradition acquired new status not only as a legitimate fund of cultural authority but also a resource for the making and annotating of "original," literary poetry.	eng
dc.description	Note	eng
dc.format.extent	30 pages	eng
dc.identifier.citation	Oral Tradition, 17/1 (2002): 135-164.	eng
dc.identifier.uri	https://hdl.handle.net/10355/64855
dc.language	English	eng
dc.rights	OpenAccess.	eng
dc.rights.license	This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.title	On the use and abuse of "Orality" for art : Reflections on Romantic and late twentieth-century poiesis	eng
dc.type	Article	eng