dc.contributor.author | Orwin, Martin | eng |
dc.date.issued | 2005-10 | eng |
dc.description | The concept of text is one central to the study of literature, both oral and written. During the course of the Literature and Peformance workshops organized by the AHRB (Arts and Humanities Research Board) Centre for Asian and African Literatures, the word "text" has been used widely and in relation to various traditions from around the world. Here I shall consider the concept of text and specifically what I refer to as "definitive text" in Somali poetry. I contend that the definitive text is central to the conception of maanso poetry in Somali and is manifest in a number of ways. I look at aspects of poetry that are recognized by Somalis and present these as evidence of "the quality of coherence or connectivity that characterizes text" (Hanks 1989:96). The concept of text understood here is, therefore, that of an "individuated product" (ibid.:97). Qualitative criteria both extra- and intratextual will be presented to support this conception. | eng |
dc.description | Issue title: Performance Literature II. | eng |
dc.format.extent | 22 pages | eng |
dc.identifier.citation | Oral Tradition, 20/2 (2005): 278-299. | eng |
dc.identifier.uri | https://hdl.handle.net/10355/65023 | |
dc.language | English | eng |
dc.rights | OpenAccess. | eng |
dc.rights.license | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. | |
dc.title | On the concept of "Definitive Text" in Somali poetry | eng |
dc.type | Article | eng |