Re-presenting ourselves : Art, identity, and status in U.K. poetry slam

dc.contributor.author	Gregory, Helen	eng
dc.date.issued	2008-10	eng
dc.description	The idea for this paper arose from an ongoing study into poetry slam, which seeks to analyze the re-creation of slam within local, translocal, and transnational communities. The study takes an interactionist stance and operates on the understanding that art should be viewed not as a disembodied product, but as a collection of dynamic social and interactional processes.2 In line with this epistemological position, the research draws on tools of ethnographic inquiry to produce a rich, in-depth account of slam that aims to be sensitive to the situated meanings of participants.	eng
dc.description	Note: Punctuation marks in title changed to ensure alphabetical order. Difference as follows; (Re)presenting Ourselves: Art, Identity, and Status in U.K. Poetry Slam.	eng
dc.format.extent	17 pages	eng
dc.identifier.citation	Oral Tradition, 23/2 (2008): 201-217.	eng
dc.identifier.uri	https://hdl.handle.net/10355/65154
dc.language	English	eng
dc.rights	OpenAccess.	eng
dc.rights.license	This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.	eng
dc.title	Re-presenting ourselves : Art, identity, and status in U.K. poetry slam	eng
dc.type	Article	eng