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    Browsing Composition, Music Theory and Musicology Electronic Theses and Dissertations (UMKC) by Title 
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    • University of Missouri-Kansas City
    • Conservatory of Music and Dance (UMKC)
    • Composition, Music Theory and Musicology (UMKC)
    • Composition, Music Theory and Musicology Electronic Theses and Dissertations (UMKC)
    • Browsing Composition, Music Theory and Musicology Electronic Theses and Dissertations (UMKC) by Title
    •   MOspace Home
    • University of Missouri-Kansas City
    • Conservatory of Music and Dance (UMKC)
    • Composition, Music Theory and Musicology (UMKC)
    • Composition, Music Theory and Musicology Electronic Theses and Dissertations (UMKC)
    • Browsing Composition, Music Theory and Musicology Electronic Theses and Dissertations (UMKC) by Title
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    Browsing Composition, Music Theory and Musicology Electronic Theses and Dissertations (UMKC) by Title

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      Title
      Lapse of time, for flute, clarine, violin, cello, percussion and piano
      Lapse of time, for flute, clarinet, violin, cello, percussion and piano
      Mantra: a chamber opera
      Masks
      Material Evidence
      Mathias and the Storm for Orchestra
      Maurice Ravel and Paul Wittgenstein: Le Concerto pour la Main Gauche in Response to World War I
      Melodic Conventions through Improvisation
      Metrical Dissonance and Phrase Grouping in Selected Dances from Edvard Grieg’s Slåtter, op. 72
      MIGUEL MATEO DALLO Y LANA, MEXICAN BAROQUE COMPOSER: A FORGOTTEN TREASURE OF PUEBLA
      Mock Trial!
      "Mood-Stuff" and "Metaphoric Utterance": Norman Corwin's radio art
      Ms. Linto
      Music From the Mountain For Di and Orchestra
      The Musical Education and Involvement of the Six Wives of Henry VIII
      Narong Prangcharoen and Thai cross-cultural fusion in contemporary composition
      Naya Jeevan, concerto for double bass and wind ensemble
      Nicodemus! The Beds are Burning Again: The Ascension of Gorgomath
      Nidra for chamber orchestra
      A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen

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