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Mario Bauza: swing era novelty and Afro-Cuban authenticity
(University of Missouri--Columbia, 2007)
Introduced to jazz in his native Cuba, Mario Bauzá (1911-1993) immigrated to New York City in 1930 to take part in its active scene as an instrumentalist, and, by enhancing pre-existing musical practices with his arranging ...
The late choral works of Igor Stravinsky: a reception history
(University of Missouri--Columbia, 2008)
Despite his preeminence in twentieth-century music, the late works of Igor Stravinsky (1882-1971) remain in relative obscurity: seldom performed, inadequately recorded, poorly understood, and frequently disparaged. The ...