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Mistaking artifice for reality
(University of Missouri--Columbia, 2005)
Collections have somber implications. The context imposed onto objects that have been elevated and isolated to the status of a collection is a manufactured one. Commonplace, temporal or captivating objects are relegated ...
The fragility of knowledge
(University of Missouri--Columbia, 2005)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In this exhibition of assemblage sculpture works, I incorporate fragmented elements and light projectors to simultaneously convey an objectification ...
Land of the American condition
(University of Missouri--Columbia, 2005)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] While there has always been separation between the "ideal" family and the dynamics of real family relationships, since the 1960's American culture has ...
Bite the hands that feed you : retrieving material discourse from industrial culture
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] My sculpture uses industrial practices, drawing from material traditions in furniture and architecture to delve into areas of conflict between nature, ...
The isolation of Western society from the revelations of nature
(University of Missouri--Columbia, 2009)
My people have become disconnected from Nature. I live in Western society, which is a monetary-based, globalizing, technological empire that is occupying many of the world's cultures and quickly absorbing the rest. Western ...
Banal : sculptural meditations on the unfamiliar
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This creative research is about filtering my own displaced experience, of being part of the Filipino Diaspora. With Judeo-Christian spirituality as ...
Solely unrooted
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Isolation and removal from one's culture, or even detachment from the culture, can bring about a sense of displacement. The feeling of displacement ...
An absurd beauty
(University of Missouri--Columbia, 2007)
Human beings are ephemeral; our relationships are ever changing and our environments are transitory, yet we continually deny this basic principle. This transitory nature is an absurd beauty that encompasses the human ...
Artifacts and fantasy
(University of Missouri--Columbia, 2007)
Memory like emotions, cannot be experienced in the past. It may be experienced only in the present. These are representations that form our perceptions of the past, present and future. Most individuals have a tendency to ...
A man ain't nothin but a man
(University of Missouri--Columbia, 2007)
In reflecting personally and historically, mythological tales and folklore such as the legend of John Henry and the many sagas of Greek mythological figures, have acted as a kind of measuring guide or moral compass for ...
Pottery: art as relationship
(University of Missouri--Columbia, 2005)
This thesis asserts that pottery is art because of the relationships people form with it. These formations occur on three levels. The first is the human response to the form of the pot. In this case a cup and a plate serve ...
Polite conversations : provoking dialogue through community interaction
(University of Missouri--Columbia, 2008)
This creative research investigated my role as artist in the community and the effect of my activities on both individuals and groups. This work took the form of a series of silk-screened and folded books that were mass ...
Objects of affection
(University of Missouri--Columbia, 2008)
I have always been fascinated by the mystery in old things and the relationships that we form with the inanimate. Many people project emotional and psychological importance onto personal possessions. They are a source of ...
Homemade home : creating in the face of the nostalgic impulse
(University of Missouri--Columbia, 2008)
Nostalgia is a pervasive and widely accepted form of dishonesty. Throughout American history, people have made and collected objects, upheld traditions, and revered styles and forms of past eras with the aim of recreating ...
The undoing of the self: an artistic exploration
(University of Missouri--Columbia, 2007)
This creative research investigated the nature of interpersonal relationships through the lens of Theravada Buddhism and took the form of interactive video, performance and installation. Tangible materials, video projections ...
The impact of technology on tradition : the role of craft in our lives today
(University of Missouri--Columbia, 2010)
It is apparent that since the advent of the Industrial Revolution, technologies have gone through many changes. All traditional methods of manufacturing goods and objects have been mechanized and become mass-produced. This ...
It's elementary my dear Watson
(University of Missouri--Columbia, 2010)
This creative research explores connections between the fields of scientific research, weapons proliferation and ceramic art making. My work consists of a twisted world of these themes seen and told through childhood imagery ...
Industry
(University of Missouri--Columbia, 2010)
Artists throughout the centuries have infused their art with their ideological outlook in order to persuade, educate or shock target audiences. Typically, these ideologies, revolve around religious and political systems. ...
Necessary imbalance: ceramic sculpture as human social analogue
(University of Missouri--Columbia, 2010)
The focus of this visual investigation is the relationship between the individual and the larger group. I often struggle to understand myself, my curiosities and motivations and how they relate to the greater society. I ...
Damaged
(University of Missouri--Columbia, 2010)
I have always been fascinated by the psychology [i.e. of] human and what motivates behaviors and choices made in life. This interest is more profound than merely my own inactive and proactive conduct, it also involves ...